Hello!
1.) Off to Carson for a second-hand-store spree!
2.) Cannot WAIT to see BRAVE!
3.) Need to get many different trilogies: the 100 CUPBOARDS trilogy, the ABHORSEN trilogy, the STONEHAND trilogy, the BARTIMAEUS trilogy...
4.) Halfway through the SCORPIO RACES, and I love the horse details!
5.) I love Pinterest hairstyles. :)
6.) For those of you who have not gone, you MUST go and see FOR GREATER GLORY in theaters... it was such an amazing movie! (Bring kleenex)
That's all! Have a wonderful Saturday.
God bless
Cat
Saturday, June 23, 2012
Saturday, June 16, 2012
Six-Sentence Saturday 06/16/2012
1.) I cannot WAIT to watch FOR GREATER GLORY!!!
2.) I love Pinterest, 'cause you can make personal scrapbookish pages for your book characters.
3.) Prismacolor colored pencils make me oh-so-happy. *sigh*
4.) What is it about coffee that makes me so much calmer?
5.) Amazon is a dangerous, dangerous place to go.
6.) So is Ebay.
That's all for now. :) Hope you all have a fabulous day!
Wednesday, June 13, 2012
The Query Quandary
You've probably heard this question before. How do you write a query. What do agents want in this darn thing? Is there something, similar to a mathematical equation, that authors can copy in writing the perfect query?
Well, sorry folks, here's the bad news: there is no equation. There's no potion, no magic wand that you can wave, no recipe you can follow to produce a well-written query. Queries are all unique, written to each agent. And guess what? Agents don't care what kind of a query you send them, as long as it's interesting, and makes them want to read the entire manuscript.
An agent simply wants a good story.
You're job is to show that story to an agent. You want to hook them, feed them tidbits, and end with a cliffhanger that makes them think, I want more!
Queries should lightly contain a bit of your novel's "voice". Basically, you want your query to reflect the tone and style your novel is written in. However, even if your novel is written in the first person (i.e. "I turned to see who was behind me, but no one was there.") always always always write your query in third person ("When Sandra turns to see who's behind her, no one's there.").
Your query can end on a cliffhanger. You want to entice the agent into reading more, remember? However, avoid rhetorical question. In fact, avoid questions altogether, okay?
Despite the non-formulaic problem of query drafting, some authors/agents provide wonderful tips for at least getting you started on the daunting road of query drafting. My personal favourite is Nathan Bransford's mad-lib query. If you are like me (i.e. terrified of queries) then Nathan Bransford is the place for you. He provides a wonderful mad-lib type query game that you can use to draft a rough query. It's helpful, because it breaks you out of the "queries are TERRIFYING" mindset, and lets you at least get words down on paper. But please, embellish. Add your own unique author voice.
For some great tips on the art of drafting queries, proposals, and synopses, read this transcript of the workshop held over at the Institute of Children's Literature. It is chock-full of some of the best information ever!!! Once you're done with it, here's part two of the same transcript. Enjoy!
'Til next time, God bless!
Cat
Well, sorry folks, here's the bad news: there is no equation. There's no potion, no magic wand that you can wave, no recipe you can follow to produce a well-written query. Queries are all unique, written to each agent. And guess what? Agents don't care what kind of a query you send them, as long as it's interesting, and makes them want to read the entire manuscript.
An agent simply wants a good story.
You're job is to show that story to an agent. You want to hook them, feed them tidbits, and end with a cliffhanger that makes them think, I want more!
Queries should lightly contain a bit of your novel's "voice". Basically, you want your query to reflect the tone and style your novel is written in. However, even if your novel is written in the first person (i.e. "I turned to see who was behind me, but no one was there.") always always always write your query in third person ("When Sandra turns to see who's behind her, no one's there.").Your query can end on a cliffhanger. You want to entice the agent into reading more, remember? However, avoid rhetorical question. In fact, avoid questions altogether, okay?
Despite the non-formulaic problem of query drafting, some authors/agents provide wonderful tips for at least getting you started on the daunting road of query drafting. My personal favourite is Nathan Bransford's mad-lib query. If you are like me (i.e. terrified of queries) then Nathan Bransford is the place for you. He provides a wonderful mad-lib type query game that you can use to draft a rough query. It's helpful, because it breaks you out of the "queries are TERRIFYING" mindset, and lets you at least get words down on paper. But please, embellish. Add your own unique author voice.
For some great tips on the art of drafting queries, proposals, and synopses, read this transcript of the workshop held over at the Institute of Children's Literature. It is chock-full of some of the best information ever!!! Once you're done with it, here's part two of the same transcript. Enjoy!
'Til next time, God bless!
Cat
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